The Romance of the Forest (Oxford World's Classics)

The Romance of the Forest (Oxford World's Classics)

Language: English

Pages: 432

ISBN: 0199539227

Format: PDF / Kindle (mobi) / ePub


The Romance of the Forest (1791) heralded an enormous surge in the popularity of Gothic novels, in a decade that included Ann Radcliffe's later works, The Mysteries of Udolpho and The Italian.
Set in Roman Catholic Europe of violent passions and extreme oppression, the novel follows the fate of its heroine Adeline, who is mysteriously placed under the protection of a family fleeing Paris for debt. They take refuge in a ruined abbey in south-eastern France, where sinister relics of the past - a skeleton, a manuscript, and a rusty dagger - are discovered in concealed rooms. Adeline finds herself at the mercy of the abbey's proprietor, a libidinous Marquis whose attentions finally force her to contemplate escape to distant regions.
Rich in allusions to aesthetic theory and to travel literature, The Romance of the Forest is also concerned with current philosophical debate and examines systems of thought central to the intellectual life of late eighteenth-century Europe.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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purple bloom of wild flowers, impended over the lake, and were seen in the clear mirror of its waters. The wild and alpine heights which rose above were either crowned with perpetual snows, or exhibited tremendous crags and masses of solid rock, whose appearance was continually changing as the rays of light were variously reflected on their surface, and whose summits were often wrapt in impenetrable mists. Some cottages and hamlets, scattered on the margin of the lake, or seated in picturesque

son seemed to have animated Madame La Motte with new life, and all her afflictions were, for the present, absorbed in joy. She often gazed silently on him with a mother's fondness, and her partiality heightened every improvement which time had wrought in his person and manner. He was now in his twenty-third year; his person was manly and his air military; his manners were unaffected and graceful, rather than dignified; and though his features were irregular, they composed a countenance, which,

by his distress, consented, though with evident emotion and reluctance, to his request. La Motte took a light and led the Marquis to a small room in a remote part of the edifice, where they remained near an hour. Madame, alarmed by the length of their absence, went in quest of them: as she drew near, a curiosity, in such circumstances, perhaps not unjustifiable, prompted her to listen. La Motte just then exclaimed——-"The phrenzy of despair!"——-some words followed, delivered in a low tone, which

purposed neglect, she quitted the place with disgust and self-accusation. When these emotions subsided, and reason resumed its influence, she blushed for what she termed this childish effervescence of self-love. She recollected, as if for the first time, these words of Theodore: "I fear you are deceived, and that some danger is near you." Her judgement now acquitted the offender, and she saw only the friend. The import of these words, whose truth she no longer doubted, again alarmed her. Why did

despair.——-Peter went on. "When I heard this, I could not doubt what Jacques had said.——-"Well, said he, what do you think of it now?"——- Why, that my master's a rascal, says "I."——-"It's well you don't think mine "one too, says he."——-"Why, as for that matter, says I"——-Adeline, interrupting him, inquired if he had heard any thing farther. "Just then," said Peter, "we heard Madame La Motte come out from another room, and so we made haste back to the kitchen." "She was not present at this

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